The 3rd instrumental album from Theodore Ziras, Hyperpyrexia, is here and "The new Ziras Era" is upon us. Featuring the legendary Derek Sherinian (ex Dream Theater), the guitar/keyboard solo duels are enough to leave any shredhead for dead.
Ziras blazes through all 10 tracks at speeds that must have almost set his Palm Bay guitars on fire. But as speedy as he is, Theo’s got some interesting things to say as well (instrumentally speaking). Having your chops together is one thing, but if your phrasing is anywhere nearly as good as Theo’s, then you’re on the right track.
The first track, “Child of Scotland”, reflects "The new Ziras Era" in a big way. The Celtic melodies are light hearted and easy on the ear, while Derek’s solo remains faithful to the theme.
You can immediately hear one of Ziras’s biggest influences on the second track, “Such and Such”. The dance between the Dorian and Aeolian modes in the solo are undeniably “Satch”.
“Rapid Eye Movement” is the burner of the album. Theo cranks the Greek God speed up to 280bpm in some runs, sweeping and shredding his head off. Look out for the keyboard and drum solos at the end.
Track 4, “Solitude”, is very dark and broody. You can tell that Theo was in an intense place in his life when he wrote this track. Purists might not call the solo shredding, while others might say that it’s the best solo Theo has ever played.
A first for Ziras, the odd time signature in “Seven Courses” is a great match for the powerful Phrygian Dominant melodies. Yngwie Malmsteen, another massive influence on Theo is hugely present here.
“Salvation” is probably the easiest track on the album to listen to. The melody is singable and apparently even Theo’s mom likes this track.
In the seventh track, “Number One”, Derek cunningly uses traditional Greek grooves in his solo. (Some licks to steal, for sure)
“Night of the Dead” has gone down very well when Theo has played it live. Some might hear a bit of Metallica in the mix, others might not. All I know it that the riffs are huge.
Number nine is the title track and it’s a mind-blower. A nod to John Petrucci, with diminished intro, a mystical verse, a catchy chorus and odd meters floating all over the place. This is my favourite track.
The last track, “Go East”, showcases the insane drumming chops owned by L.A. resident Brian Tichy. But don’t be fooled, Theo comes to the fore with some tasty “East orientated” melodies.
A unique blend of progressive, fusion and shred comes together in this masterpiece. Definitely Theodore Ziras’s best yet.
Ziras blazes through all 10 tracks at speeds that must have almost set his Palm Bay guitars on fire. But as speedy as he is, Theo’s got some interesting things to say as well (instrumentally speaking). Having your chops together is one thing, but if your phrasing is anywhere nearly as good as Theo’s, then you’re on the right track.
The first track, “Child of Scotland”, reflects "The new Ziras Era" in a big way. The Celtic melodies are light hearted and easy on the ear, while Derek’s solo remains faithful to the theme.
You can immediately hear one of Ziras’s biggest influences on the second track, “Such and Such”. The dance between the Dorian and Aeolian modes in the solo are undeniably “Satch”.
“Rapid Eye Movement” is the burner of the album. Theo cranks the Greek God speed up to 280bpm in some runs, sweeping and shredding his head off. Look out for the keyboard and drum solos at the end.
Track 4, “Solitude”, is very dark and broody. You can tell that Theo was in an intense place in his life when he wrote this track. Purists might not call the solo shredding, while others might say that it’s the best solo Theo has ever played.
A first for Ziras, the odd time signature in “Seven Courses” is a great match for the powerful Phrygian Dominant melodies. Yngwie Malmsteen, another massive influence on Theo is hugely present here.
“Salvation” is probably the easiest track on the album to listen to. The melody is singable and apparently even Theo’s mom likes this track.
In the seventh track, “Number One”, Derek cunningly uses traditional Greek grooves in his solo. (Some licks to steal, for sure)
“Night of the Dead” has gone down very well when Theo has played it live. Some might hear a bit of Metallica in the mix, others might not. All I know it that the riffs are huge.
Number nine is the title track and it’s a mind-blower. A nod to John Petrucci, with diminished intro, a mystical verse, a catchy chorus and odd meters floating all over the place. This is my favourite track.
The last track, “Go East”, showcases the insane drumming chops owned by L.A. resident Brian Tichy. But don’t be fooled, Theo comes to the fore with some tasty “East orientated” melodies.
A unique blend of progressive, fusion and shred comes together in this masterpiece. Definitely Theodore Ziras’s best yet.
Track listing:
1) Child of Scotland
2) Such and Such
3) Rapid Eye Movement
4) Solitude
5) Seven Courses
6) Salvation
7) Number One
8) Night of the Dead
9) Hyperpyrexia
10) Go East
2) Such and Such
3) Rapid Eye Movement
4) Solitude
5) Seven Courses
6) Salvation
7) Number One
8) Night of the Dead
9) Hyperpyrexia
10) Go East
Line-up:
Thoedore Ziras - Guitars
Derek Sherinian - Keyboards,
Brian Tichy – Drums
Manos Markopoulos - Bass
Derek Sherinian - Keyboards,
Brian Tichy – Drums
Manos Markopoulos - Bass
Visit http://www.theodoreziras.com/ for more info
1 comment:
He escuchado algo y parece que estamos ante un gran trabajo..
teneis algun LINK valido para este cd,,, gracias
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