Showing posts with label shredding. Show all posts
Showing posts with label shredding. Show all posts

Tuesday, September 9, 2008

Album Review - Paul Kleff "Machined"


Paul Kleff is a rock/metal guitarist based in Grand Rapids, Michigan, USA, and has over 20 years of experience as a musician, instructor, composer and performer. He was originally inspired by artists like Led Zeppelin, The Beatles, Jimi Hendrix and The Who, which got him started on acoustic guitar, learning some chords, songs and the basics of guitar playing.

Paul was soon drawn to the fire, expression and speed of artists like Edward Van Halen, Randy Rhoads, George Lynch and Yngwie Malmsteen. He then set out to learn the styles of his heroes and began practicing and developing a lead guitar style based on both blues-influenced rock and the neoclassical shred styles of his newer influences.

Paul was featured on the 2008 compilation CD, “Guitars from the Shadows,” along with 12 other musicians from all over the world.

In mid September 2008, Paul will be participating in a seven city instructional clinic tour through the Midwest USA, along with six other guitarists and international touring and recording artist Tom Hess. The clinics will be held at Guitar Center and local music stores in each city.

Paul teaches private lessons at his studio in Grand Rapids. Having successfully helped hundreds of students, he continues to develop specialized programs of study for each individual student based directly on their musical goals. Paul has also featured as an instructor on cyberfret.com and shredknowledge.com, and will be featured on additional guitar instructional websites in the future. He is also developing new instructional products set to be released in late 2008. A full-length CD is also planned for release in 2009.

Paul’s debut solo release is a four-song EP called “Machined”. It was written during late spring and summer 2008 and recorded during July 2008. The CD is made up of two instrumental songs and two songs featuring guest vocalist Jerry Keyzer.


The songs cover elements of rock, metal and shred. All the tracks are melodic, but what I find most pleasing is Paul’s ability do drop an unexpected twist into his riffs and leads.

All music was composed and performed by Paul and all lyrics were written and performed by Jerry Keyzer. The CD was mastered by Rob Perez.

Looking at the individual tracks:

The first track, “Grind”, has one of the best verse riffs I’ve ever heard. Heavy, driving, and mean, with some trademark Kleff twists. The solos are great compositions in their own right and, while showcasing Paul’s awesome chops, they remain fresh and melodic. “Grind” is a great opener to the CD.

Track two, “Last Stand”, is the first of two vocal tracks featuring vocals by Jerry Keyzer. I hear a lot of Iron Maiden and old Queensryche in both the vocals and guitars in the chorus section. The solo is great and fits the song well, as opposed to being a gratuitous flash of skill, and it remains tasteful and nothing sounds forced.

The third track, “Dead Line”, is the second vocal track. Building from just a clean guitar and vocals, it morphs into a mid-tempo metal anthem, bridging the gap between an air punching epic and a metal ballad. Keyzer’s delivery is powerful, emotional and raw. The fast linier runs, pedal-point ideas and swept arpeggios, combined with Paul’s excellent vibrato create another melodic mini-composition for the solo section.

The opening guitar phrase to the fourth track (and second instrumental) “As If…”, is so cool I immediately picked up my own guitar and learnt it. It floats over a piano-based rhythm section which eases off as the lead guitar builds for the chorus. The melody over the opening and verse sections has a vocal-like quality in both the tone and phrasing. The bridge and outro section show a great use of vibrato and harmonized lines to express a great deal of emotion. The song is essentially a hard-rock ballad and it ends the CD off well.

As a whole, the production is clear and balanced, while Paul’s melodic sensibility is fresh and often unexpected. I can’t wait for a full album.



Monday, January 14, 2008

Roo interview - The Frenchman talks about the 66 Licks programme

How did you come up with the concept for your 66 Licks lesson
programme?

Well, the whole concept isn’t from me but from Ben (Perchard). He asked me if I was interested in recording 66 guitar licks for him and being paid for that, of course.
I thought it would be a kind of sample licks CD. It sounded very easy to do at the beginning. I sent a rough 4 lick demo and he liked it.

It was about recording very short licks, about 2 seconds long, one lick per bar. That was the first challenge, because it’s not that easy to play something interesting that only lasts 2 seconds. The weeks passed and the idea of including them into a program came.

It was about 3 different levels, from very easy to pretty challenging. I sent back a few samples but my licks were too difficult. Then came the idea of licks combos. I was asked to record 12 different examples to demonstrate them in a "live" situation. So I realised that I would have to do everything in the same key, making part of the previous work useless.

The concept was now to have 66 licks of 3 levels, that would fit in any order, to build little solos. The 12 examples had to be recorded "live" (no copy/paste) and the licks had to flow together. That was actually the biggest challenge we had between Ben, the programmer and me.

The program had a glitch, leaving a small gap at the beginning of each lick, so they didn’t flow properly. It took time to solve this problem and the fact that I added a metronome click into the licks helped to check the time accuracy.

I also had to re-record some of the licks that were cutting abruptly. Some lick chains sounded great in a certain order but sucked running in a different order. So I had to work on having the licks fading at the right time and removing the "bad licks".

When I finally played the finished program, with the tablature appearing in perfect time with the lick combos, playing in any order, that was a great feeling. I felt "It's alive! Alive". The concept of 66 Licks lesson programme was born. Ben really did a great job.

How is 66 Licks different to the average guitar magazine or
guitar video lesson?

I'd say 66 licks is a “Tool” which includes musical material, so it's a new concept.
It's an enhanced vocabulary of licks, phrases and ideas to incorporate into your own playing, song writing and improvisation. You increase your ability to construct your own solos from the licks provided and perfect or learn new techniques. The program comes with backing tracks so that you can jam with what you've learned. It's also very easy and fun to use. It is definitely interactive. I can not compare this to a stock standard magazine or video lessons.

Will there be an upgrade or maybe a version 2 for the 66 Licks?
Yes, I have a volume 2 in progress and as you know there are other Shred Academy artists working on their own version. The program will receive plenty of regular and cool updates to make its use even more enjoyable. So it's constantly evolving. Joe Stump's 66 licks will be out soon, I heard a preview, it's absolutely killer material! I ran through a few licks, it was so awesome that I instinctively picked up my guitar to try them out.

What does a normal/average day in your life entail?
The winter, I go to the lake, make a hole in the ice and fish till dusk, hehe. Well, life is always in motion so I can't tell what a normal day for me is. I wish I could do more physical activities and get rid of all the boring daily duties...

Is Finland turning you into a blackmetal fan?
Hehe, yes indeed! Finland is a kind of promised land for metal lovers and there are countless bands here who have international success, especially those from Spinefarm records...

Sure I see the other styles aren't as popular, but as far as the material and the musicians go, they are good. I don't really think "is it BlackMetal or something". When you gig, it just feels great to perform before a lot of metal fans who express their enthusiasm.

What is it like living in Finland as a Frenchman?
Oh God! Haha, they forbid me to eat frogs and garlic snails! I was forced to eat reindeer and moose instead! Hehe, they’re gonna trash me now... Seriously, I'd say Finland is worth the trip!

It's a very modern country, but with strong traditions. People might talk less but things are done more efficiently somehow. Women are more respected here. There are actually a lot of female bands, more than what I figured before.

I like the Finnish way of life very much. Sure, sometimes I am surprised by some culture difference, but I learn how to behave from my experiences... I have a bunch of funny anecdotes. For instance, as we talk about music now: In a musical instrument shop, you can try instruments without asking the salesman. You are being too polite if you ask or else it means you're somehow interested in buying... In France, you can't come in, say nothing, and plug a limited Les Paul in a Mesa, hehe, otherwise it's a lack of respect for the salesman ( "S'il vous plait monsieur")...I even test drove a car alone, the salesman left me the keys.


That's it. Thanks for the interview.
http://wwww.rooguitar.com
http://wwww.myspace.com/rooguitar
http://wwww.youtube.com/rooguitar

Friday, December 14, 2007

Album review - Theodore Ziras "Hyperpyrexia"



The 3rd instrumental album from Theodore Ziras, Hyperpyrexia, is here and "The new Ziras Era" is upon us. Featuring the legendary Derek Sherinian (ex Dream Theater), the guitar/keyboard solo duels are enough to leave any shredhead for dead.

Ziras blazes through all 10 tracks at speeds that must have almost set his Palm Bay guitars on fire. But as speedy as he is, Theo’s got some interesting things to say as well (instrumentally speaking). Having your chops together is one thing, but if your phrasing is anywhere nearly as good as Theo’s, then you’re on the right track.

The first track, “Child of Scotland”, reflects "The new Ziras Era" in a big way. The Celtic melodies are light hearted and easy on the ear, while Derek’s solo remains faithful to the theme.

You can immediately hear one of Ziras’s biggest influences on the second track, “Such and Such”. The dance between the Dorian and Aeolian modes in the solo are undeniably “Satch”.

“Rapid Eye Movement” is the burner of the album. Theo cranks the Greek God speed up to 280bpm in some runs, sweeping and shredding his head off. Look out for the keyboard and drum solos at the end.

Track 4, “Solitude”, is very dark and broody. You can tell that Theo was in an intense place in his life when he wrote this track. Purists might not call the solo shredding, while others might say that it’s the best solo Theo has ever played.

A first for Ziras, the odd time signature in “Seven Courses” is a great match for the powerful Phrygian Dominant melodies. Yngwie Malmsteen, another massive influence on Theo is hugely present here.

“Salvation” is probably the easiest track on the album to listen to. The melody is singable and apparently even Theo’s mom likes this track.

In the seventh track, “Number One”, Derek cunningly uses traditional Greek grooves in his solo. (Some licks to steal, for sure)

“Night of the Dead” has gone down very well when Theo has played it live. Some might hear a bit of Metallica in the mix, others might not. All I know it that the riffs are huge.

Number nine is the title track and it’s a mind-blower. A nod to John Petrucci, with diminished intro, a mystical verse, a catchy chorus and odd meters floating all over the place. This is my favourite track.

The last track, “Go East”, showcases the insane drumming chops owned by L.A. resident Brian Tichy. But don’t be fooled, Theo comes to the fore with some tasty “East orientated” melodies.

A unique blend of progressive, fusion and shred comes together in this masterpiece. Definitely Theodore Ziras’s best yet.

Track listing:
1) Child of Scotland
2) Such and Such
3) Rapid Eye Movement
4) Solitude
5) Seven Courses
6) Salvation
7) Number One
8) Night of the Dead
9) Hyperpyrexia
10) Go East
Line-up:
Thoedore Ziras - Guitars
Derek Sherinian - Keyboards,
Brian Tichy – Drums
Manos Markopoulos - Bass

Visit http://www.theodoreziras.com/ for more info